This summer, one name is setting the stage on fire—Nana Ouyang (欧阳娜娜).
With her signature cello and a fresh new EP titled NANAⅠ, Nana made her explosive debut on the live music show Sing Out 2025 (《打歌2025》), performing her newest track “No Intro for My Love” (《我的爱没前奏》). As the lights cut through the midsummer haze, she opened a musical journey that blends classical elegance with Gen Z flair—redefining what a live performance can mean for a new generation.
From Sweet “Nana-style” to Genre-Bending Experiments
This wasn’t the warm and gentle “Nana-style” music fans once knew. Instead, she brought a bold mix of classical cello melodies and pulsing electronic beats. On stage, she transformed from a poetic dreamer into a futuristic trendsetter, leading audiences into an immersive soundscape. This fusion of tradition and pop signals a clear artistic direction since joining Sony Music—one that explores the bittersweet edges of youth, as showcased in her EP NANAⅠ.
Music critics have praised her performance on Sing Out 2025 (《打歌2025》) for breaking the mold of traditional music shows: she maintained instrumental professionalism while amplifying the narrative with visual and choreographic storytelling. One highlight—the spontaneous high-difficulty cello solo—quickly sent fans into a frenzy, with live comments flooded by reactions like “That cello solo killed me!”
No Filters, No Edits: A Trial by Fire on the Live Stage
With its concept of “no tuning, no editing, no scripts,” Sing Out 2025 (《打歌2025》) is not for the faint of heart. For Nana Ouyang (欧阳娜娜), every live episode is a real-time challenge and a test of artistry. But it’s also where she shines. “Every time I step on stage, it feels like a music exam,” she admitted, “but that sense of reality is what makes it precious.”
This raw approach resonates with the show’s mission—to return the spotlight to music itself. From lyrics and composition to stage direction, Nana takes part in every detail, revealing a deeper, more creative side to the “music prodigy” title she once carried.
From Taipei to the Mandopop Mainstream: Music Without Borders
A Gen Z artist from Taipei, Taiwan, Nana Ouyang (欧阳娜娜) is carving out her own path through talent and boundary-pushing courage. Trained at Berklee College of Music and now rising as a singer-songwriter with both classical chops and pop instincts, she’s bridging markets across both sides of the Taiwan Strait.
As she put it on the show: “Music is a borderless language.” And as “No Intro for My Love” (《我的爱没前奏》) plays again, it’s not just a song we hear—it’s the voice of a new generation stepping boldly into the spotlight.
