Meng Ziyi recently appeared in a fitted mermaid gown from Indonesian brand Maquinn’s Fall/Winter 2025 haute couture collection. With a gradient palette shifting from deep green to ochre and delicate three-dimensional pleating, the dress reveals a texture reminiscent of oil-painting brushstrokes. Under the play of light and shadow, she resembles a figure gently stepping out of a vintage canvas.
The halter-neck backless design highlights her shoulder line, while the flowing mermaid hem moves like autumnal gold with each turn. The entire silhouette evokes the atmosphere of nineteenth-century classical portraiture, yet still carries a contemporary clarity.
Her makeup features a matte base paired with warm blush, softly blended earthy eyeshadow, and muted rose lips that echo an oil-painting softness. The sleek updo reinforces the classical mood, allowing her features to stand out in a clean, understated way. International media described her as “a modern muse walking out of a frame,” acknowledging her growing artistic presence.
Fashion outlets noted that “while others follow trends, she becomes a moving classical painting.” Indonesian audiences praised her for bringing “Eastern beauty across seas and mountains,” while foreign media referred to her as the “Eastern Muse,” recognizing her cross-cultural aesthetic expression that blends European retro style, Indonesian craftsmanship, and her own radiant Eastern allure.
This look marks a shift from Meng Ziyi’s previous image as a “bright-toned beauty” to an emerging “art-driven performer,” signaling a dual breakthrough in both commercial value and aesthetic ambition.
How do you feel about Meng Ziyi’s latest photoshoot? Your thoughts are welcome.
