Although not yet officially announced, the suspense drama 10 Days Till the End has already attracted significant attention within the television industry. Ongoing speculation surrounding its male lead has propelled the project into the spotlight, with recent rumors suggesting that top actor Xiao Zhan may take on the role of Qi Xia, positioning the series as one of the most closely watched potential releases of 2026.

Adapted from a top-ranking online novel, 10 Days Till the End is set in a sealed realm known as the “Land of Finality,” where participants are trapped in a cycle of memory resets every ten days. Survival depends on completing lethal games designed by the “Twelve Zodiac” entities. The protagonist Qi Xia is portrayed as a highly intelligent strategist who gradually awakens a mysterious ability called “Resonance” while attempting to uncover the truth behind the system controlling this world. The original novel has earned a strong following for its rigorous rule-based structure, intense psychological confrontations, and carefully layered foreshadowing.

Industry sources indicate that the first season is planned to run for 24 episodes and will be released exclusively on Tencent Video. In terms of scale and investment, the project is widely regarded as a top-tier production.
Casting rumors for the male lead have shifted several times. Bai Jingting was once considered a strong candidate due to his previous success in time-loop narratives such as Reset, but concerns over thematic repetition and career positioning reportedly reduced the likelihood of his involvement. Tan Jianci was also discussed, with his acting reputation and industry relationships cited as potential advantages.
Attention has since turned toward Xiao Zhan. As a high-concept suspense series, 10 Days Till the End requires not only acting depth but also significant market appeal and audience draw. Xiao Zhan’s recent performances have demonstrated consistent viewership impact, and his on-screen presence is often viewed as capable of sustaining emotionally restrained yet psychologically complex roles.

If confirmed, this role would mark Xiao Zhan’s first major foray into suspense-driven survival narratives. The character of Qi Xia demands precise emotional control and the ability to navigate dense plotting within an abstract narrative framework.
The female lead, Lin Qin, plays a comparatively restrained role in the original story, yet remains an essential character defined by rationality and discernment. Tian Xiwei has been mentioned as a potential casting choice, and if realized, this would mark her first on-screen collaboration with Xiao Zhan.
From a career perspective, Xiao Zhan’s recent project choices suggest a deliberate expansion beyond a single genre. After achieving prominence in costume dramas, he has steadily moved toward more complex roles in realistic and strategic narratives. Currently filming the medical drama A Good Doctor in a Small City, a subsequent role in 10 Days Till the End would further diversify his acting portfolio.

The production team behind the series has also drawn attention. Director Xu Hongyu and screenwriter Jiang Feng previously collaborated on I Am Nobody, a project noted for its visual experimentation and narrative pacing. Reports suggest that the script development for 10 Days Till the End has spanned over two years, with particular emphasis on world-building and visual effects—elements widely seen as crucial to the adaptation’s credibility.
Despite growing discussion, no official announcements have been made. Xiao Zhan’s fan base has largely maintained a cautious stance, adhering to a “wait for official confirmation” approach and focusing on confirmed projects. This contrast between market enthusiasm and fan restraint reflects the broader dynamics surrounding high-profile productions.
Whether 10 Days Till the End ultimately moves forward as anticipated remains to be seen. Nonetheless, the convergence of a high-profile IP and a leading actor at a pivotal stage of his career has already placed the project under sustained scrutiny. Its eventual outcome may well serve as a case study in how ambition, expectation, and execution intersect in contemporary television production.
