In 2025, Zhao Liying has taken on a notably different rhythm in the entertainment landscape. Her name continues to surface through new projects and announcements, yet her appearances on red carpets and major platform galas have become rare. This contrast has left many fans feeling a sense of longing, while also prompting discussion about the direction of her career choices.
From a creative standpoint, her output this year has been far from minimal. With dramas such as WHAT A WONDERFUL WORLD, She’s Got No Name, and Sunflowers airing one after another, Zhao Liying has explored a wide range of themes, from realism to social narratives.
These projects may not rely heavily on sensational buzz, but they have been met with generally steady reception, gradually reinforcing her reputation for consistency and depth as an actress. Compared to earlier stages of her career, where frequent exposure played a larger role, she now appears to let her work speak for itself.
Her reduced presence at public events does not signal a decline in commercial value. On the contrary, her brand collaborations remain highly visible and carefully aligned with her image. Rather than pursuing constant appearances, she seems to favor selective exposure that supports long-term credibility and audience trust.
Her cameo in 《逍遥》 also stood out despite limited screen time. With a composed presence and strong on-screen aura, the appearance left a clear impression, demonstrating that even brief roles can carry weight when delivered with confidence and restraint.
Looking ahead, 《造城者》 is expected to air in the coming period and is regarded as one of her key upcoming works. Industry reports also suggest that she may join Noon Sunshine’s new project 《开盘》 as early as February. If confirmed, this collaboration would further solidify her position in realistic and serious drama genres, reflecting a continued focus on sustainable career growth rather than short-term visibility.
Overall, Zhao Liying has not withdrawn from the spotlight but has instead redefined how she occupies it. By stepping back from red carpets and ceremonies, she is investing more energy in role selection and long-term planning. This quieter approach, rather than diminishing her presence, may ultimately preserve anticipation for each of her returns.
