After a week away from the internet, I returned to find that Ren Jialun and Peng Xiaoran’s new drama Love and Crown had just begun airing. Originally, I expected pleasant surprises, yet the first thing I encountered was a wave of criticism. After reviewing the data and observing the online sentiment, it became clear that some of the negative commentary was less about the drama itself and more about intentional noise. Having followed this project closely from its first day of filming to the final wrap, I feel the need to clarify a few things.
Some claim that Ren Jialun will always secure leading roles no matter what, while Peng Xiaoran may struggle to obtain future female lead positions. In reality, the entertainment industry is ever-changing, and no actor enjoys an uninterrupted smooth trajectory. Many well-known performers have experienced setbacks, only to re-establish themselves through strong subsequent works. In almost every actor’s career, highly praised and less-favored projects coexist. What truly matters is consistent skill, dedication to acting, and the courage to keep exploring new roles—qualities that often bring them back to the spotlight.
Turning to the drama itself, Love and Crown is far from the “complete flop” some online voices insist on. The so-called failure appears amplified by those seeking attention. With minimal early promotion, no bought trending topics, no commercial viewing events, and heat generated almost entirely through the actors’ existing fan base, the drama still managed to rise from behind in ratings and reach fourth place in its time slot. Considering the circumstances, this is already a solid performance.
Another frequent criticism is that the roles of Ren Jialun and Peng Xiaoran are too similar to their previous characters. Rather than calling it repetition, it may be more accurate to say that historical romance is an area where both actors excel. Ren Jialun’s work in Under the Power and One and Only earned substantial recognition, and Peng Xiaoran’s portrayal of Xiao Feng in Goodbye My Princess remains iconic. With two capable actors joining forces again, it is natural for audiences to hold expectations—making the quick labeling of the drama as “a flop” within just three days seem premature.
Many successful dramas began quietly before gradually gaining momentum through word of mouth. Even Nirvana in Fire was not an instant sensation, but became a classic as its story unfolded. Judging a newly released drama solely on its first few days of data overlooks the possibility of long-term growth.
Love and Crown takes on a storyline that moves from emotional conflict to healing—from enemies bound by fate, to reluctant alliance, to mutual salvation. Some viewers compare it to a historical version of See You Again. Early viewers who found it reminiscent of Goodbye My Princess may drop it, while others might return for the very same reason. Ren Jialun’s dual identity as a frail emperor and a wandering swordsman—who even disguises himself to pursue his wife—adds an extra layer of appeal.
Many of those declaring the drama a failure likely haven’t watched it closely and are simply echoing the louder voices online. Such comments can mislead potential viewers, causing them to hesitate before giving the drama a fair chance. With only three days of episodes released, it is far too early for a definitive verdict. Allowing the story time to unfold may reveal unexpected strengths later on.
I look forward to seeing how Love and Crown develops in the coming weeks and welcome your thoughts on Ren Jialun and Peng Xiaoran’s latest collaboration.
