With the recent broadcast of You Are My Sunshine, Song Weilong has experienced a noticeable resurgence in popularity. His collaboration with Zhao Jinmai has attracted a wave of new fans, significantly boosting his online following. Yet as his career momentum builds once again, his past romantic relationships have re-entered the public conversation, reigniting long-standing debates about his personal life.

Since his debut, Song Weilong has been linked to several women, including influencer Xun Ziying, Love Between Fairy and Devil supporting actress Hong Xiao, The Water Dragon Chant lead actress Jelly Lin, supermodel Zhao Jiali, and Love in the Desert supporting actress Chen Qianyu. Over the years, paparazzi photos and reported interactions have repeatedly placed him at the center of entertainment gossip, shaping his image as an actor frequently associated with high-profile relationship news.

Among these relationships, his rumored romance with Jelly Lin drew particular attention due to its dramatic nature. The pair were once photographed arguing in public, followed shortly by scenes of reconciliation and intimacy. The sharp emotional contrast fueled widespread online discussion and became one of the most talked-about episodes in Song Weilong’s dating history.

In 2023, after parting ways with his former management company Huanyu Entertainment, Song Weilong once again became the focus of media attention. He was spotted multiple times traveling with actress Chen Qianyu, with reports noting that they returned to the same residence after consecutive outings. The relationship quickly made headlines, not only because of their shared appearances but also due to Chen’s background.
Chen Qianyu, a top graduate of the Shanghai Theatre Academy entrance examination, is the daughter of a prominent film and television company executive. Notably, the company has invested in several dramas starring Song Weilong. This connection sparked speculation online, with some netizens questioning whether professional opportunities and personal relationships were being conflated.

Although no concrete evidence supports such claims, the discussion illustrates how quickly narratives can form in the entertainment industry. For actors navigating a return to the spotlight, personal associations are often examined alongside professional achievements, sometimes blurring the line between verified facts and public conjecture.
From a career perspective, Song Weilong appears to be in a period of recalibration, seeking to move beyond his early idol image through more varied roles. However, as his visibility increases, so does scrutiny of his past. Balancing artistic growth with the management of public perception remains a key challenge as he continues to redefine his place in the industry.